SOME HINTS ON HOW TO SELECt: Considerations based on
- availability
- level of formality, balance
- room and tokonoma
- style of chaji
- occasion
- toriawase
- kaiseki
- season (ro: fuyu, haru= tree flowers; furo: natsu, aki= grass flowers)
- ignore all the above and just put in what you can findÅF sasa, susuki, hime uri
In contrast to all other man-made utensils, the flowers bring into the tearoom a feeling of:
- naturalness = essence of Nature
- freshness of dew
- evanessence of life; beauty of "only now"
- seperation from outside world; deep mountain / forest fastness
- the teishu's heart/mind/answer to koan ÅF Zengo
- leaves a big impression
- "Hana wa ashi de ikeru= chabana should be put in with the feet"- Grow or search for your own, within legal limits
- strong / weak flowers; should last a day but only a day or seem delicate
- not too rare nor weeds that grow just anywhere
- natural species or ancient variants
- not showy hybrids
- cut only what you will use
- as gift- give more; be sure they are not too open
- arrange in mind (without planning how it must look) first
- in hand, then vaseÅF the flowers actually "arrange" themselves
- reflect your emotions / feelings of the moment
- "Hana wa no ni aru yo ni==Flowers should be as they are in the field." This does not mean dirty, broken, or old
- bug-eaten leaves ok
- this does not mean that if it is blooming, it is "in season" esp. at ro/furo season change; karui-zaki- "Insane blooming" not pleasant-ok only at nagori
- the hana represents the essence of all hana, all Nature at that moment, SO should be pure, natural, and spare
- like the Noh- shite (main actor) and waki (support + maybe ai-kyogen)
- in summer the flowers are more numerous in varieties and small, petite, open spaces suggest coolness
- in Winter, a single camillia (with live, budding branch), suggest future and freshness
- flowers should lean forward, to welcome guests; or as if guests are the sun
- buds about to open, during chaji ok; potential
- exceptions- mukuge, fuyo, morning glories, etc. completely open
- balanced with leaves
- "always" has own leaves
- never use just leaves or different leaves in summer, exc susuki; teriha or even bare branch in winter ok in combination with tsubaki
- must balance in vase, not flip over; fronts to guests
- small flowers-better balance
- usually fewÅF 1-2-3-5; in late summer, up to 11
- in different states of bloom and bud; never dead, exc lotus for memorial, Butsu-ji and branch for paeony
- odd numbers of flowers, buds, leaves
- long enough stem
- seeming single point of exit; from point of view
- right side up, facing front, not bottom of tree, dipping branch can be
problem
- color combinations:
- avoid yellow /white except for funeral or memorial
- except natural, long time ok-ed, eg-suisen,
- too close shades and tones- pink/pink
- white/white ok at night
- if red and white, white should be on top, bud over open
Things to avoid generally:
- bending, pruning, cutting, wiring, rubber bands, sticks in mouth of vase
- stiff, formal or unnatural appearance
- great clumsiness and skillfullness
- bad names- bad image-kohone (river bones)
- worldly reference-gold coins
- showy hybrids-
- strong colors
- strong smell-exc. ume, suisen [if you must, after 20 years of experience; don't use ko]
- bad smell- skunk cabbage
- flowers used for garden, backdrop, mass blooming, landscape, etc. eg.ÅF sakura, momiji, tsutsuji, sasanka; exc. yanagi, susuki
- poison- exc torikabuto
- fruit, food potential-exc. ume, peach; exc medicinal
- seeds, exc. at nagori
- fruit, exc. nagori-akebi,
- (hidden) thorns, exc. hamanasu, azami
- crowded buds and flowers; thin skillfully SO one of each phase
- fours in leaves, flowers, except when that is the natural number-eg. suisen, futari shizuka
- seasonless flowers
- too common, weedish
Namporoku
8. Concerning flowers that should not be used in arrangements for chanoyu, there are the doggerel verses:
hanaire ni irezaru hana wa chinchoge 沈丁花 miyama shikimi太山樒
- ni
keitou no hana 鶏頭
Among flowers banned from the flower vase are sweet daphne (D. odora), mountain anise (Illicium religiosum), and cockscomb ( ).
ominaeshi 女郎花 zakuro 柘榴 kobone 河骨 kinsenka 金盞花 senreika 仙藜花 o mo kirau narikeri
Patrina (P. scabiosafolia), pomegranate ( ), candock (Nuphar japonicum), marigold (Calendula arvensis), and balsam ( ) are likewise rejected.
COMMONLY AVAILABLE / USED FLOWERS
ro:
- kiku 菊
- tsubaki 椿 (camillia)- shiratama 白玉, akebono 曙, yabu 藪, wabisuke 侘介, ad infinit / or /out eda 枝 (branch)- teriha 照葉; mansaku 万作, hashibami 榛, mizuki 水木, etc.
- kan botan 寒牡丹 (peony) used with "dead" branch
- ume 梅 (plum)- hakubai 白梅, kobai 紅梅; robai 蝋梅; Jan, Feb
- yanagi 柳 (willow)- unryu 雲竜, neko 猫,
- suisen 水仙 (narcissus)- from Nov-Dec; first flowers below leaves then slowly flowers get longer; after snow, can bend leaves.
- momo 桃 (peach)- March
- nanohana 菜の花 (canola)- Tenjin and Rikyu, Feb, March
- grass flowers- baimo 貝母, shunran 春蘭
furo:
- botan 牡丹 (peony); shakuyaku 芍薬 (herbaceous)
- tessen 鉄線 (clematis)
- ran (orchid)- Kumagai-SO 熊谷草, shiran 紫蘭; ebine 海老根蘭
- (iris) shobu 菖蒲, ayame 菖蒲, kakitsubata 杜若
- yuri 百合 (lily) -
mid-summer:
- ajisai 紫陽花 (hydrangea)-
- tora no o
late summer:
- mukuge 木槿 (althea)-Sotan, Gion-mamori,
- asagao 朝顔 (morning glory)
- fuyou 芙蓉 (rose mallow)
- mizuhiki 水引 (smart weed)-
autumn/aki:
- hototogisu 杜鵑 (toad lily)-purple, blue, yellow, white
- kiku 菊 (chrysanthemum)-Kibune-giku, shuumei-giku (JPN anemone)
- seven grasses- susuki 薄/芒 (miscanthus), kikyo 桔梗 (bell flower), ominaeshi 女郎花 (patrinia), kuzu 葛 (kudzu), nadeshiko 撫子 (fringed pink), hagi 萩 (bush clover),
Traditional / symbolic use
- Shogatsu(1/1-15)-musubi yanagi, akebono tsubaki, uguisu kagura 鶯神楽; ha-botan 葉牡丹, kan botan 寒牡丹
- momo no sekku (3/3)- peach
- Urasenke Rikyu-ki (3/28) - nanohana
- tango no sekku(5/5)- shobu, Kumagai-so
- tanabata (7/7)-kajinoha 梶の葉,
- Joyo(9/9)- kiku
- robiraki (11/1)- shira tama tsubaki
- seki biraki- only white, NO red
- weddings, congratulatory- white and red (tsubaki, )
- funeral, close memorial- yellow, yellow and white; dried lotus flowers, leaves, seed pod
- shuchu no meigetsu = tsukimi- susuki, kibunegiku 貴船菊, shumeigiku 秋明菊
Purities of chabana Pure (washed) flowers and leaves; pure vase, cut bamboo ; pure water in it; pure heart to put them in; pure dew to referesh them
TSUYU 露 dew sprinkled on flowers to give a live and fresh feeling. May be applied with chasen splashed on, dipping flowers in water before placing them in vase or by spraying with kirifuki 霧吹. Wetting wall ok if its your house and real tsuchi-kabe; otherwise, avoid In summer it suggests coolness; in winter it suggests freshness
By kirifuki or chasen or dip; flowers, vase, basket; wall (depending on construction) lacquer board may be left sprayed if nice pattern (fine) kiji board should be soaked / wrapped in wet towel for several minutes before displaying
HISTORY OF CHABANA
Historically speaking chabana came in part from Zen altar settings featuring 3-5 image(s) on scrolls, flower vases on left and right outer flanks, candle sticks on the inner flanks, centered on an incense burner with its kogo incense container in front, like thisÅF {{
- 3-5 images on scrolls
- flower incense burner flower candle kogo/ dogu candle
- on altar table
}}
By gradually decreasing the paraphanelia-windows for light, putting the kogo into sumitori, and the ko directly into sumi (furo = koro) fire and seperating scroll and flower, we have the scroll representing the Buddha as an intellectual concept and the single vase of flowers left in the middle also representing Buddha as a natural. This is one reason we avoid unpleasantly strong smells, poisonous flowers, or thorns and emphasize the evanescence of life by using flowers which only last a day.
Kokoro no fumi, "Otazune no Koto"ÅF by Murata Juko- "Arrange flowers as befits the room, with an air of lightness... The utensils used should be appropriate to the person's age- to old and young respectively."
Namporoku, Tachibana Jitsuzan "recreating" Rikyu: 7. Concerning the flowers for a small room, it is always best to arrange one or two stems of a single variety, with lightness of touch. Of course, it is alSO permissible to arrange them SO that they have a soft fullness, depending on the flower. In its fundamental intent, however, chanoyu rejects favoring solely the spectacle of flowers. When the room size increases to four-and -a half mats, two varieties may be used, depending on what they are.
9. It had been a long maintained custom to shun the display of flowers in the night gathering, but Joo and Rikyu, upon close consideration, decided it permissible, depending upon the flower. Colorful flowers are on the whole unusable, but white flowers are not unpleasant. A wide variety of flowers may be adopted...In using flowers for celebrative gatherings, one must give this matter special attention.
28. For the flower container in a small room, a length of bamboo, basket or gourd is best. A metal vase is generally most appropriate for the four-and-a-half mat room; depending upon the circumstances, one may also be used in a small room. Rikyu's flowers (from Tennojiya, Sokyu, Kamiya; (by way of Mori Tomio, Shosetsu Chabana Zufu)+Matsuya kaiki): Winter:
- tsubaki-173+75; Tsu-173
- pine-3
- +boke-10
Spring:
- willow-30+12; Tsu-30
- ume-143+51; Tsu-147
- suisen-57+37; Tsu-57
momo-13+3ÅF T
- kaido (aronia-malus)-6+2
Summer:
- azalea-2
- yamabuki-7+2
- kakitsubata-6 (shobu-2)+iris-6
- sekichiku (nadeshiko)-24+2
- kinsenka-16
- +shakuyaku-7
- +tessen-3
- +mukuge-2
- asagao-14
- fuyo-2
- +marigold-3
- +kohone-2
Fall:
kiku-71+36 (winter & spring); Tsu-71
- hagi-23
- kikyo-12
- +asaji (cogon grass)-7
- +shikimi-2
- +kuwanito-1
Rikyu flower stories: utensils
- Tsuru no hitokoe (issei)- water only
- mimi; Jo-o knock off one ear
- Shoan said, no board for basket?
flowers
- Hideyoshi's "test" ÅF plums in basin
- Rikyu's "test" ÅF asagao- removed all from garden
- hime uri- nothing else available
- karatachi-thorns; "leave for china= win in china"
- as guest, hana in chiriana
- " ", recognized Ikenobo Senko's flowers
- hana shomo-Hideyoshi